When I’m anxious it’s because I’m living in the future. When I’m depressed it’s because I’m living in the past.” -Unknown via @nussy

“At some point, the Mongol military leader Kublai Khan (1215–94) realized that his empire had grown so vast that he would never be able to see what it contained. To remedy this, he commissioned emissaries to travel to the empire’s distant reaches and convey back news of what he owned. Since his messengers returned with information from different distances and traveled at different rates (depending on weather, conflicts, and their fitness), the messages arrived at different times. Although no historians have addressed this issue, I imagine that the Great Khan was constantly forced to solve the same problem a human brain has to solve: what events in the empire occurred in which order?

Your brain, after all, is encased in darkness and silence in the vault of the skull. Its only contact with the outside world is via the electrical signals exiting and entering along the super-highways of nerve bundles. Because different types of sensory information (hearing, seeing, touch, and so on) are processed at different speeds by different neural architectures, your brain faces an enormous challenge: what is the best story that can be constructed about the outside world?

The days of thinking of time as a river—evenly flowing, always advancing—are over. Time perception, just like vision, is a construction of the brain and is shockingly easy to manipulate experimentally. We all know about optical illusions, in which things appear different from how they really are; less well known is the world of temporal illusions. When you begin to look for temporal illusions, they appear everywhere. In the movie theater, you perceive a series of static images as a smoothly flowing scene. Or perhaps you’ve noticed when glancing at a clock that the second hand sometimes appears to take longer than normal to move to its next position—as though the clock were momentarily frozen. (…)

Like vision, time perception is underpinned by a collaboration of separate neural mechanisms that usually work in concert but can be teased apart under the right circumstances. (…)

In the early days of television broadcasting, engineers worried about the problem of keeping audio and video signals synchronized. Then they accidentally discovered that they had around a hundred milliseconds of slop: As long as the signals arrived within this window, viewers’ brains would automatically resynchronize the signals; outside that tenth-of-a-second window, it suddenly looked like a badly dubbed movie.

This brief waiting period allows the visual system to discount the various delays imposed by the early stages; however, it has the disadvantage of pushing perception into the past. (…)

If I touch your toe and your nose at the same time, you will feel those touches as simultaneous. This is surprising, because the signal from your nose reaches your brain well before the signal from your toe. Why didn’t you feel the nose-touch when it first arrived? Did your brain wait to see what else might be coming up in the pipeline of the spinal cord unti lit was sure it had waited long enough for the slower signal from the toe? Strange as that sounds, it may be correct.

It may be that a unified polysensory perception of the world has to wait for the slowest overall information. Given conduction times along limbs, this leads to the bizarre but testable suggestion that tall people may live further in the past than short people. The consequence of waiting for temporally spread signals is that perception becomes something like the airing of a live television show. Such shows are not truly live but are delayed by a small window of time, in case editing becomes necessary.

Waiting to collect all the information solves part of the temporal-binding problem, but not all of it. A second problem is this: if the brain collects information from different senses in different areas and at different speeds, how does it determine how the signals are supposed to line up with one another? To illustrate the problem, snap your fingers in front of your face. The sight of your fingers and the sound of the snap appear simultaneous. But it turns out that impression is laboriously constructed by your brain. After all, your hearing and your vision process information at different speeds.”

David M. Eagleman via pantherhouse


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